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There are similar tropes at play here, undoubtedly, but delivered with the usual dose of respect to the subject matter so that the tough messages land well. Oppression, degradation, ruthlessness, barbarity, hatred, and the disregard for the lives of those deemed less worthy.
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Story-wise, the Tales series never shies away from pretty heavy topics. Iron Mask, being the usual optimistic hero, joins her on a quest to try to overthrow the oppressive Renan rule. Before long his paths cross with Shionne, a feisty, blunt Renan who seems keen to upset the current order of things. He suffers from the JRPG tradition of amnesia, blinding him to what happened in his youth.
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He is dubbed Iron Mask on account of the specific headgear attached to him. Calaglia is one of those realms and is where our first protagonist resides. The world is split up into five realms, each run by a cruel Lord, who oversees the slavery of the Dahnans for their own purposes. Our journey takes place on the planet Dahna, whose natives, known as Dahnans, have been oppressed by the technologically advanced Renans for over three centuries. But then Tales of Arise came along and well, Symphonia should be worried. They’ve been good games but never challenging for that top spot since Symphonia arrived in my life over 15 years ago. Not Vesperia, Zestiria, and surprisingly not even Symphonia: Dawn of the New World. It started my love of the Tales series, but it’s fair to say nothing has quite matched that unbridled joy since. I adored its world, its characters, the developing story, the combat and just how much was packed into it. When a series grabs us for the first time and doesn’t let go, you know you’ve come across something you’ll love into the future. We all have a favourite game in a franchise, and for many, it’s often our first venture into it.